Saturday, February 03, 2007
Takin’ Care of Business in The King’s Court
Hot damn tamale!! I’ve wanted to post this for three weeks so with a fistful of better-late-than-never I give you:
Graceland...Memphis, Tennessee – Saturday, January 13, 2007
Some of the earliest musical memories I have were listening to my mom’s well-worn 45s of “Heartbreak Hotel”, “Hound Dog” (bw “Don’t Be Cruel”), “Love Me Tender”, & “I Want You, I Need You, I Love You”. Elvis Presley’s music is as much a staple of my general well being as a corned beef sandwich from Langers (L.A. finest Jewish delicatessen), so it was with a great deal of reverence and emotion that I made my pilgrimage to Graceland three weeks ago.
Traveling alone I was able to take my time and soak up the reality (or surreality) of my surroundings. The Grounds. The Jungle Room. The Kitchen….After years of collecting and obsessing all things Presley (an old Elvis Zippo lighter comes to mind), I was finally there. In Memphis. At Graceland.
Without thinking twice, I opted for the V.I.P. tour that allowed me the maximum experience…who knows when I may get back there, you know?
Coming up the driveway and going thru those wrought iron gates I only knew from multiple viewings of “This Is Elvis” (still the best documentary film on the man to date) and beginning my tour I knew that I had reached Mecca.
What I took away immediately was how my experience humanized Elvis. After all, this was the man’s home…this is where he lived! So much of Elvis is now reduced to a general caricature that we tend to forget he was a human being like the rest of us, flawed and brilliant all at once.
First off, the living room, dining room, and kitchen…kept exactly as Elvis last saw it. If you ever wanted to bear witness to a living 1970’s time capsule (at its most excessive), Graceland is THE destination. As a connoisseur of ‘70s kitsch I damn near had to call the local hospital to remove the smile from my face. The long white couch…the blue shag carpeting…the three RCA color console television sets placed side by side…exactly as I had imagined it so many times before.
Then it was on to the kitchen…preserved perfectly in those predominant ‘70s hues of orange and brown…I was half-way expecting David Cassidy and The Partridge Family to come trouncing through at any moment. From the kitchen it was on to the Billiard Room, which was adorned in the most extreme pleated cotton I’d ever laid eyes on. The pool table itself proudly boasted a tear in the felt (left as is for the sake of authenticity).
Next stop (through a stair case of green-colored shag carpeting), The Jungle Room. Yes indeed it is the King’s own Enchanted Tiki Room (reflective of the Polynesian craze of the ‘60s and ‘70s) but it’s also where Presley recorded such late-period classics as “Moody Blue”, “Way Down”, & For the Heart”. I think I spotted that crazy totem poll Vincent Price had heart-to-hearts with when the Brady Bunch went to Hawaii in there. Brilliant.
From there it was on to the King’s personal effects…his fake fur bed…the tux he wore on his wedding day…his then state-of-the-art mobile phone (housed in a TBC brief case of course)…badges…firearms…OH MY!! On to the Hall of Gold Records. This is where I turned my internal Geek-O-Meter up to 11. I studied each and every gold record meticulously (who knew the Clambake soundtrack did so well abroad?)…fascinating.
After 45 minutes of pouring over the King’s gold it was on more display cases. Even more gold records. The ’68 Comeback Special black leather jump suit. The Aloha from Hawaii sequined jump suit. Cancelled royalty checks…then on to Vernon Presley’s office, and lastly the racquet ball court (which was the last edition to Graceland Elvis added before his passing). Though as intriguing as the period-era quadraphonic stereo gear was in the racquet ball court/wet bar was, the real curio was the upright piano to the left of the stereo…apparently this is where Elvis sang last…(the song was the country classic “Blue Eyes Crying In The Rain”).
Exiting the racquet ball court I made my way to the Meditation Garden and the King’s grave. Elvis, his parents, and grandmother are buried there. Beautifully adorned with flowers, stuffed teddy bears, and various other fan-made memorials, this is the most peaceful and poignant part of the tour. I stood there for a while in silent respect and made my way back down the hill to Graceland plaza across the street.
The Lisa Marie is Elvis’s private jet and an essential part of the Graceland experience. Prior to becoming the King’s flying palace it was a Delta Airlines 96-passenger plane…nearly a million dollars of renovations made it Elvis’s own. From the gold-plated seat-belt buckles to the Pioneer 8-track multi-speaker sound system to the glass TBC-monogrammed conference table and full size bedroom to the wet bar still stocked with 30+year-old unopened Gatorade and Mountain Valley Spring Water…this makes your average commercial plane look a cross-country Greyhound bus just after a summertime jaunt to Fresno. Incredible.
The Automobile Museum boasts several of the King’s vintage rides…the 1956 pink Cadillac he gave his mother right after his career first took off. His ’62 Lincoln Continental. The 1973 Stutz Blackhawk... (Pure pimpin’ goodness). The ’75 Ferrari Dino. This is a man who lived the golden age of the American automobile and has the vehicles to prove it. The original Monster Garage.
The final exhibit of the day was Elvis After Dark… a slight but intriguing glimpse into the King’s after hours. The highlight being of course, an actual television shot out by Elvis himself and the gun that took care of that particular business. I contemplated how many plasma screens would've met an early death had Elvis lived...in the age of satellite TV, I imagine plenty. I also imagine the King would've been a devotee of Cops but I digress.
From there it was gift shopping gone wild…I got my little boy two Elvis onesies, a cookbook for Mrs.Speats, a DVD of Aloha from Hawaii and a hunka hunka burnin’ memories of one of the most fascinating destinations in these here United States. For at least an afternoon there and then in Memphis, it was as if (at least for me) Elvis never left the building.
Friday, January 12, 2007
This town breathes history like L.A. breeds traffic jams...from Stax Records (aka Soulsville USA) to Beale Street to Graceland, its mecca for music junkies like me.In between meetings I was able to squeeze in a bit of touristy history...explored Beale street last night...caught an Elvis show at a bar (tend to forget that this probably the only place in America besides Vegas or perhaps Reno or Branson) where you can catch such a thing. Chugged down a beer during a very respectable "Suspicious Minds" and then wandered further down the road.
It's a bit strange as I'm here with business colleagues who I don't know all that well so I was left to my own devices during the off hours. Anyway...not wanting to eat anywhere I readily could back home I made my way to Isaac Hayes's restaraunt...yep Black Moses has own place here....how could I resist?? Having met the man before I felt I owed it to him and myself to dine there...I was not disappointed. Ike's gold records adorn the dimly lit supper club and the service is almost as good as "Truck Turner" *** Local blues sensation Ms.Ruby Wilson took the stage(self-proclaimed Queen of Beale Street) and sang a rendition of"Wang Dang Doodle" that was as smoky as the bar be que'd chicken on my plate...my dining experience at Isaac Hayes was complete. I displayed little resistance in the adjoining gift shop and walked off with a copy of his cookbook. How could I not?
After today's meetings dinner came calling in the form of the overly-hyped Rendezvous bbq house (where the ribs are broiled with a dry rub - sauce is a purely an option)...how did it measure up? Pretty damn good..I had a good long meaningful date with a line of dental floss afterwards let's put it that way...But nothing compared to the company...half-way thru the dinner we were joined by a musician named James Alexander...better known as one of the original members of Stax funk pioneers The Bar-Kays (anyone over 25 and has seen "Spies Like Us" will know them by their instantly recognizable signature hit "Soul Finger")...talk turned to Stax records and how The Bar Kays played their part in the label's history and ultimately how "Soul Finger" came to be. I was speechless. I had a mouth full of spare ribs in my mouth and nothing to say. SOUL FINGER FOR GOD'S SAKE! Moments like that I'll savor long after this trip is in the history books.
Tomorrow brings my first ever pilgrimage to Graceland...where I will bask in the King's glory and bow down in the place where Spinal Tap once harmonized "Heartbreak Hotel"...I have nothing but a hunka hunka burnin' love for this town.
Monday, January 08, 2007
New Years Resolutely I pledge to update this thang more often than I did in '06...a lofty goal higher than the national debt but by golly I'll damn near try. I just have to convince myself that not every entry has to be a Lester Bangsish masterwork...writing daily will suffice and if inspiration strikes to scribe something a bit more fanciful, so be it.
So far my impressions of '07 are as such: I'm more aware of birthday #35 than ever before (probably because its less than a month away), I still think 40 year-old Rolling Stones records still beat the crap out of what passes for British Rock these days...."Rocky Balboa" is no mere guilty pleasure...(I'm rambling here)...and that impending fatherhood is about to rock my world. Yep. I'm gonna be a dad! I was loath to talk about my personal life here but as the little guy is gonna reshape and repurpose my life in many ways I thought it time to make the big reveal.Anyway thanks for the patience in between posts and I vow to drop by more often.
Cheers and A Happy '07 To All,
The Reverend.
Wednesday, November 15, 2006
Back with a KISS!
Nearly thirty years ago and barely out of pre-school I was all about KISS, I had the lunchbox, the dolls, and of course the music. Long after the collectibles went the way of my hairline, the music remained. It’s never been easy to be a KISS fan – we’re the Rodney Dangerfields, we (like the band) get no respect….but KISS never were about respect or approval from the Lester Bangs and David Frickes of the world. Contrary to long-held Rock Snobbery Beliefs, their songbook runs circles around period contemporaries The New York Dolls. They were our Superheroes. They played guitars, breathed fire, and were (are) larger than life. They looked cool. They wore their British Invasion influences proudly…Gene. Paul. Ace. Peter. For millions of us they were our John, Paul, George, and Ringo. The fans always came first (and still do). Yes they are overly-marketed and Gene Simmons will put KISS’s name on anything that doesn’t move these days, but as I said before, the music remains. Their live show (often imitated but never topped) remains the standard-bearer for Heavy Metal spectacle.
Nearly thirty years later after I first lept off my bed and air-guitared my way thru “Detroit Rock City”, I stood proudly last night amongst my fellow KISS army members and watched Paul Stanley rock the House of Blues in Hollywood and couldn’t stop thinking how fucking cool it is to be a fan of this band and marveled at the journey thus far. I guess in this particular army, you could call me a lifer. And you gotta respect that.
Friday, September 29, 2006
Being in the business I'm in you tend to run into people like this man here at random Jazz festivals and on a lucky day you just might recieve a package of self-produced CDs from said celebrity seeking a deal...this happened to me yesterday.
Monday, July 17, 2006
A sparsely decorated stage, wide-open expectations, and a sense of "oh-my-god-I-am-the-luckiest-music-geek-in-L.A." permeated the air at The Wiltern Theater last night. It had been half a decade since Ray Davies had visited Los Angeles and in the interim Life Happened for the reigning poet laureate of The British Invasion. The Kinks went on hiatus, Dave Davies suffered a stroke, Ray sustained a gunshot wound defending the honor of his lady from a New Orleans purse-snatcher (this incident is also notable for being the Last Recorded Act of Chivalry Ever in the United States) and released his first solo album earlier this year, the potent and pointed "Other People's Lives".
The Kinks are that last great unchartered terrain of British rock history. So much has been said about The Beatles, The Stones, and The Who that most of the mystery surrounding them eroded long ago.
The Kinks are and have been always a different animal, uncompromisingly English in all phases of the career (Way back whenThe Beatles urged true believers to "Turn on, relax, and float down stream", Davies and co. praised the simplicity of Waterloo Sunsets, and long after The Fab Four disbanded and the Stones became irrelavant, The Kinks' vision never compromised or capitulated). Radio knows them for "Lola" and "You Really Got Me" but legions of balding geeks like myself know them for "Death of a Clown", "David Watts", and "Sweet Lady Genevieve". They are like the last indie store in a sea of chains.
The Kinks
That's the backstory...On with the (or should I say last night's) show!
Ray and his band of surrogate Kinks hit the stage with a force of enthusiasm that knocked the jadedness clean out of the L.A. crowd and sent it hurling towards Canada (no small feat in this town where everything save for a car crash is greeted with the energy of a 6am yawn) and immediated transformed all of us into His Royal Subjects.
Davies artfully balanced his new material with a pallet of classics and curios such as "Hairy Rag" (from the Something Else Lp), "Tired of Waiting for You", "20th Century Man", "Celluloid Heroes","Set Me Free" and "Low Budget".
You could say he really got me.